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Pastel Painting Atelier: Essential Lessons in Techniques, Practices, and Materials, by Ellen Eagle
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Revel in the luminous and vibrant qualities of pastel with Ellen Eagle’s essential course in the history, techniques, and practices of the medium. In this comprehensive yet intimate guide, Eagle explores pastel’s rich but relatively unexamined past, reveals her own personal influences and approaches, and guides you toward the discovery and mastery of your own vision.�� In Pastel Painting Atelier, you will find:
���•�Advice on basic materials: guidance on building, storing, and organizing a collection of pastels; choosing the right paper; and the importance of experimentation
���•�Studio practice suggestions: ideas for creating your ideal working environment and recipes for making your own pastels and supports
���•�Study of the working process: lessons on proportion, gesture, composition, color, application, identifying and correcting problems, and recognizing when a work is finished
���•�Meditation on subject: cues for extrapolating the subtle details, presence, and temporal features of whatever you choose to paint
���•�Step-by-step demonstrations: Eagle’s acute insights into her own works as they progress
�
A magnificent selection of works by masters such as James Abbott McNeill Whistler, Rosalba Carriera, Mary Cassatt, and Eugene Delacroix augment this guide, as do works by contemporary artists including Harvey Dinnerstein, Elizabeth Mowry, and Daniel Massad.� Aimed at serious artists, this guide enlightens, instructs, and inspires readers to create brilliant and sensitive works in the historic medium of pastel.
- Sales Rank: #426796 in Books
- Brand: Books
- Published on: 2013-04-23
- Released on: 2013-04-23
- Original language: English
- Number of items: 1
- Dimensions: 11.31" h x .77" w x 9.31" l, 2.60 pounds
- Binding: Hardcover
- 192 pages
- Used Book in Good Condition
Review
"Pastel Painting Atelier: Essential Lessons in Techniques, Practices, and Materials isn’t simply about pastel techniques, but how to truly capture a life and its full worth�on paper. Read it like a novel, as Kingston’s foreword implies, and you’ll gradually pick up on Eagle’s ability to read a face and translate it to the surface."
-The Artists Magazine, December 2013
"Unlike most books about art, unlike most books written for creative people, this one provides several hours of quiet time with the artist at work in her studio, in her mind, with her eyes, with her hands. �She sees beauty in the tiniest of details: the curve of the silhouette of a woman’s face, the arrangement of the old pipes beneath the even older sink in the corner of a Manhattan studio, the private thoughts that take shape in a best friend’s eyes. This is a gentle book, an inspirational one with�the promise of some instruction for the visual artist, but you need not be an artist to see what she sees, and to enjoy the way that Ms. Eagle perceives and so lovingly sees the world."
-Digital Insider, September 2013�
"I don’t think I’ve ever seen a book that deals with pastel in such breadth and depth."
-artbookreview.net
About the Author
ELLEN EAGLE holds a BFA with Distinction in Drawing from the California College of Arts and Crafts. Her work is represented by Forum Gallery, New York, and has been shown in the National Academy Museum, the Butler Institute of American Art, the Frye Art Museum, the Albright-Knox Art Gallery, and in the Lingnan Museum of Fine Arts in China.� Her paintings and writing have appeared in the New York Times,�American Artist, The Artist’s Magazine, the Pastel Journal and numerous other publications.� She is the recipient of several grants from the Elizabeth Greenshields Foundation and the Dodge Foundation. A sought-after teacher, Eagle is on the faculty of the Art Students League of New York and has given workshops throughout the United States and in Italy. Visit her at EllenEaglePortraits.com.
Excerpt. � Reprinted by permission. All rights reserved.
Throughout this book, I use the words analyze, contemplate, investigate, explore. We survey, we canvas the complexities of our subjects. There is so much to see. Where do we begin a painting? I want to help you observe with a clear eye your subject's unique structure, color, and value relationships. The ultimate goal is to distill these intricacies into a simply expressed, harmonious construction. This goal is a constant. It transcends genre.
Most helpful customer reviews
32 of 34 people found the following review helpful.
Best pastel book I've seen
By B. J. Zukauskas
Ellen Eagle's book, "Pastel Painting Atelier" is the most complete, informative book on pastel painting I have seen. I am a pastelist, and have a collection of pastel books, and NONE compare in clarity of information, or quality of photography. I Have studied with several different pastel artists, the instruction in the book is like being in a pastel workshop. Delightful to read, and a beautiful book to add to my collection. I highly recommend it for beginners and experienced artists alike.
14 of 14 people found the following review helpful.
Pastel painting
By Pearl
A marvelous book in every way. The demo alone is worth the price of admission. Valuable information about pastels, about how to use them, and even about the history of this beautiful and expressive medium. And the reproductions are first rate.
15 of 16 people found the following review helpful.
Pastel painting essential lessons
By Tati Kamo
A wonderful book that is a pleasure to read. The author's sharing of her creative process and chapters on the step-by-step building of a pastel painting are invaluable. Suggestions about materials, how to evaluate a work in progress and how to correct mistakes are very helpful. The book illustrates vast expressive possibilities and quiet qualities of pastel, a medium that had its golden age more than two centuries ago but now is rather under-appreciated. It also highlights the art of looking at and truly seeing another person, without which portraiture is impossible. Those in search of bulleted supply lists and shortcuts to making fast and easy paintings may be disappointed. But if they slow down and read carefully through this book, they may discover something new to them. It can inspire an art student or a seasoned painter seeking to expand his or her repertoire and to explore a new medium.
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