Kamis, 29 Agustus 2013

[S655.Ebook] PDF Ebook The Jews: A History, by John Efron

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The Jews: A History, by John Efron

New research has conspired to unsettle many established ideas about the Jewish past, challenging how historians have thought about and described it, and sometimes making it appear less accessible than it was thought to be in earlier generations.� While these recent developments would appear to make a history of the Jewish people more difficult, the authors of The Jews: A History believe it has deepened and broadened our understanding. Though the reader will find in The Jews many familiar names, in its pages will also be found a broader spectrum of people: mothers, children, workers, students, artists, and radicals whose perspectives greatly expands the story of Jewish life from ancient times to the present.

  • Sales Rank: #731898 in Books
  • Published on: 2008-07-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.84" h x 1.03" w x 7.96" l, 2.33 pounds
  • Binding: Paperback
  • 528 pages

Review

"The Jews is well written, conceptually clear, lively, interesting, and�informative. It strikes just the right balance between sketching out the major issues and providing enough detail so that students who have�no background can fully understand the main point. The authors�understand all the major issues in Jewish history and are capable of presenting those issues in a clear and engaging manner."

-- Marsha Rozenblit, University of Maryland�

“The Jews is a highly accessible, attractive, and lively account of the fortunes, failures, and accomplishments of the Jews from biblical times to the present. �It is distinguished by the attention it gives to average Jews and to everyday life. �Drawing upon the special expertise of the authors, it seeks, above all, to understand and to explain a complex history.�Without going into excessive detail, it makes the reader aware of continuing controversies of interpretation and cites from sources that are of special interest.”

-- Michael Meyer, Hebrew Union College

“This is a superb, wide-ranging, and well-written book.� The task at hand is an exceptionally difficult one, given the wide varieties and geographic dispersion of Jews throughout the world.� To pull together the various strands is a great challenge.� With admirable skill, the authors have succeeded in doing so–indeed, in producing perhaps the best single volume on the Jewish experience.”�

-- David Myers, University of California Los Angeles

From the Back Cover

Praise for The Jews

This is a superb, wide-ranging, and well-written book.� The task at hand is an exceptionally difficult one, given the wide varieties and geographic dispersion of Jews throughout the world.� To pull together the various strands is a great challenge.� With admirable skill, the authors have succeeded in doing so–indeed, in producing perhaps the best single volume on the Jewish experience.”�

David Myers, University of California, Los Angeles

“The Jews is a highly accessible, attractive, and lively account of the fortunes, failures, and accomplishments of the Jews from biblical times to the present. �It is distinguished by the attention it gives to average Jews and to everyday life. �Drawing upon the special expertise of the authors, it seeks, above all, to understand and to explain a complex history.�Without going into excessive detail, it makes the reader aware of continuing controversies of interpretation and cites from sources that are of special interest.” �

Michael A. Meyer, Hebrew Union College

“The Jews is well written, conceptually clear, lively, interesting, and informative.�� It strikes just the right balance between sketching out the major issues and providing enough detail so that students who have no background can fully understand the main point. �The authors understand all the major issues in Jewish history and are capable of presenting those issues in a clear and engaging manner.”

Marsha Rozenblit, University of Maryland

About the Author

John Efron holds the Koret Chair in Jewish History at the University of California-Berkeley, where he is a specialist in the cultural and social history of German Jewry.� A native of Melbourne, Australia, he has a B.A. from Monash University in Melbourne, has studied at the Hebrew University in Jerusalem, took his M.A. at New York University and earned a Ph.D. at Columbia University.

In addition to many articles, most recently dealing with Jewish popular culture, his books include: Medicine and the German Jews: A History (Yale University Press, 2001); and Defenders of the Race: Jewish Doctors and Race Science in Fin-de-Si�cle Europe (Yale University Press, 1994). He also co-edited the volume, Jewish History and Jewish Memory: Essays in Honor of Yosef Hayim Yerushalmi (University Press of New England, 1998). He is now working on a monograph entitled Orientalism and the German Jews in the Age of Emancipation.

Steven Weitzman received a B.A. from the University of California at Berkeley in 1987 and a Ph.D. from Harvard in 1993 in the field of Near Eastern Languages and Civilizations. He became a faculty member of IU’s Religious Studies department in 1993 and was chosen as first incumbent of the Irving M. Glazer Chair of Jewish Studies in 2002. That same year, he also became the director of the Robert A. and Sandra S. Borns Jewish Studies Program.

Steven Weitzman is a scholar of the Hebrew Bible and early Jewish texts like the Dead Sea Scrolls, much of his work focusing on literary and religious practice in the centuries following the biblical period. Drawing heavily on comparative evidence from ancient Near Eastern, Greek and Roman literature, his research has sought to rethink the relationship between texts and contexts in the Hebrew Bible/early Judaism and to pose new questions about ritual, religious violence, early Jewish literary practice, and the history of biblical interpretation.

Professor Weitzman’s first book, Song and Story in Biblical Narrative, was the winner of the Gustave O. Arlt Prize for Outstanding Scholarship in the Humanities awarded once every seven years to a book in Religious Studies by the Council of Graduate Schools, and he has since received fellowships from the American Council of Learned Societies and the Yad-Hadiv Foundation. Subsequent books include Surviving Sacrilege (Harvard University Press, 2005); Religion and the Self in Antiquity (edited with David Brakke and Michael Satlow from Indiana University Press, 2005); and The Jews: a History (with John Efron, Matthias Lehmann and Joshua Holo, forthcoming from Prentice Hall). His current projects include a biography of King Solomon under contract with Yale University Press.

Professor Weitzman serves on the editorial board of Prooftexts, the only English language journal of Jewish literary history; chaired the Bible division of the Association for Jewish Studies, and was an associate director of the Tel Beth Shemesh archaeological excavation in Israel from

1995-2002.

Matthias B. Lehmann is an historian of early modern and modern Jewish history with a special interest in the history of the Spanish Jews and the Sephardi diaspora in the Mediterranean world. After studying in Freiburg, Jerusalem, Berlin, and Madrid, he earned his Ph.D. from Freie Universit�t Berlin in 2002 and is an associate professor of History and Jewish Studies at Indiana University. His is the author of Ladino Rabbinic Literature and Ottoman Sephardic Culture (Indiana University Press, 2005), runner-up for the National Jewish Book Award in 2006. His articles have appeared in Jewish History, Jewish Social Studies, Sefarad, and Jewish Studies Quarterly. He is currently working on a book entitled Networks of Benevolence: Philanthropy and Identity in the Sephardi Diaspora , looking at rabbinic networks and networks of support for the Jewish communities of Palestine in the Sephardi diaspora in the eighteenth and nineteenth centuries.

Joshua Holo is Associate Professor of Jewish History and�Director,�Louchheim�School�of Judaic Studies�at the Hebrew Union College-Jewish Institute of Religion in�Los Angeles. He has published on the Jews in�Byzantium,�Italy�and�Spain�in the medieval period, including The Jews of Byzantium in the Mediterranean Economy, forthcoming from Cambridge University Press, and a number of articles ranging from Genizah studies to intellectual history. He curated an exhibition of Spanish Hebrew documents and inscriptions in Valencia, Spain, and he edited the scholarly catalogue, Los jud�os espa�oles seg�n las Fuentes hebreas. He is currently investigating the German-Jewish community of Venice and the founding the first Ghetto in the sixteenth century, and continues work on the Jews of Byzantium.

Most helpful customer reviews

2 of 2 people found the following review helpful.
The Jews: A History
By BeeGee
Excellent student resource. Easy reading, narrative style, with insert boxes that extend the basic material. Has helpful maps of the Palestine region and a glossary that providers the student with access to information on key people, events,and terms.

1 of 1 people found the following review helpful.
It's a Textbook
By Stuff101
If you are purchasing this product because you are a student then you will find the textbook useful although very dry. Coffee consumption is recommended before your required readings.

6 of 9 people found the following review helpful.
What a fantastic book!
By Student
There is very little wrong with this book. Not only is it wonderfully written and informative, but it acheives the very difficult task of selecting what elements of Jewish history must be written upon and which can be ignored.

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Selasa, 27 Agustus 2013

[P311.Ebook] Ebook Let Me Be the One, by Lily Foster

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Let Me Be the One, by Lily Foster

Running away can be a good thing…
From the outside, Darcy Donovan’s life seems perfect. She’s beautiful, intelligent, popular and dating a guy who is every girl’s dream.
But nothing that seems perfect ever really is...
A year abroad is her escape—a chance to loosen his hold on her and a chance to leave behind the shaken, insecure girl she has become.
Tom Farrell has been waiting in the wings, watching as his friend screws up a relationship with the one girl Tom considers out of his reach.
An entire year passes with Tom making changes in his life...changes he hopes will make Darcy see that he’s the one worthy of her heart—that he should be the one.

Let Me Be the One is the first book in the Let Me series. These are stand-alone, sweet, sexy romances intended for readers 18 and older due to mature sexual content.

You can currently download Let Me Be the One FREE

  • Published on: 2014-08-13
  • Released on: 2014-08-13
  • Format: Kindle eBook

Review
Critical Acclaim for Let Me Heal Your Heart:★★★★"Book four in the Let Me series is a heartbreaking story of first loves and adversity that can be read as a standalone. This is an emotional roller coaster about two lost souls given a second chance to be together. Told from both protagonists' points of view, Foster allows us to see the story from a unique perspective, and the reader may be surprised where their allegiances lie." �-RT Book Reviews��."This book has the happiest moments a person goes through, the most heart-wrenching, and throws you a couple curve balls. Yes, I cried, I got upset, and I really just wanted to throw the book (don't worry...I didn't!). This was a good book and I really enjoyed reading it the whole way through."�-Brianne's Book Blog

From the Author
The Let Me series�is a collection of stand-alone stories. �There are no cliff-hangers but the books are inter-connected as characters are introduced that may feature in subsequent story lines.If you are a fan of Happily Ever Afters�that come only after the characters struggle, stumble and sometimes fail...then you will laugh, cry, occasionally cringe and ultimately, fall in love right along with them.
Let Me Be the One: Darcy and TomLet Me Love You: Rene and CalebLet Me Go:�Dylan and KasiaLet Me Heal Your Heart:�Anna and Declan

About the Author
Lily Foster splits her time between New York and Maine. In addition to the "day job" that she longs to leave, she spends her time hanging out with her very comical, very understanding husband, forcing herself to exercise, and locking herself away to write.

Most helpful customer reviews

10 of 10 people found the following review helpful.
A sweet beginning to a great series
By Gracie
I read this book last after reading the others. Not what I typically do but it just worked out that way and it was kind of nice. The main characters in this book, Tom and Darcy, were mentioned here and there throughout the other books but not central characters.
I felt like I was finally getting to meet two great people I'd heard a lot about.
This book is very good. Sweet, painful at times, mighty sexy and even funny. While I was more invested in the characters in the other stories and I found those plots more gripping, I did enjoy this one.

9 of 10 people found the following review helpful.
First in a great series!
By wendysbookblog
A friend recommended this book to me last week. Started reading it on her kindle at work and when I had to hand it back over without finishing the book, I felt like I was going through withdrawal until I was able to get my hands on my own copy!
This story is about Tom and Darcy, two seniors in college, who embark on a romance that's rocky at times. Ah, I remember those days....younger, with insecurities that make you do foolish things and hurt the ones you love.
You get your happy ever after but it's after a series of plot twists and turns that keep you turning the pages.
Immediately downloaded the second book in the series.

6 of 6 people found the following review helpful.
Loved It!!!
By Amazon Prime Air Fan
I loved how this book was about the craziness of college, ups and downs, and life after college with be able to say its okay if you end up choosing a different path than the one you have planned. The storyline just captivated my attention and once I got through the first two pages I just couldn't stop. This book is definitely a good read.

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Sabtu, 24 Agustus 2013

[C983.Ebook] PDF Download A Mountain Europa, by John Fox

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A Mountain Europa, by John Fox

As Clayton rose to his feet in the still air, the tree-tops began to tremble in the gap below him, and a rippling ran through the leaves up the mountain-side. Drawing off his hat he stretched out his arms to meet it, and his eyes closed as the cool wind struck his throat and face and lifted the hair from his forehead. About him the mountains lay like a tumultuous sea-the Jellico Spur, stilled gradually on every side into vague, purple shapes against the broken rim of the sky, and Pine Mountain and the Cumberland Range racing in like breakers from the north.

  • Published on: 2015-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .15" w x 6.00" l, .22 pounds
  • Binding: Paperback
  • 64 pages

About the Author
John Fox was born in Lincolnshire and at the age of 15 bought a half share on an Alvis Crested Eagle and joined the Alvis Owner Club in 1964. From 1983-9 he was the Registrar of the Alvis Owner Club, setting up a computer database and compiling Car Registers. During 2002 5 he restored the second Graber prototype TDU 810. In 2011 became a Trustee of The Alvis Archive Trust and set up the website www.alvisarchive.com. He is a Life Member of the Alvis Owner Club.

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0 of 0 people found the following review helpful.
When two worlds collide
By catlover
Clayton's family is uppercrust New York. Easter's family is hardscrabble mountain moonshine. Their unlikely paths cross one afternoon when Clayton is hiking down a mountain trail and intercepts a girl in a blue bonnet riding a bull on her way up the mountain. Both their lives change from the encounter. This author writes with the authority of one who has intimate knowledge of both worlds.

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Kamis, 22 Agustus 2013

[F245.Ebook] Ebook Free COMMON KNOWLEDGE ABOUT CHINESE CULTURE (REVISED ED.), by Compiled

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COMMON KNOWLEDGE ABOUT CHINESE CULTURE (REVISED ED.), by Compiled

A riveting collection of the major features of Chinese culture including its ethnic groups, folk customs, traditional virtues, technology, language, architecture, art and literature.
When considering China, it is impossible to separate the culture, geography and history from one another. As a collection these books give readers a well-rounded understanding of Chinas past and present, supplying them with common knowledge of this fascinating country.

  • Sales Rank: #178319 in Books
  • Brand: Brand: Higher Education Press
  • Published on: 2007-01-01
  • Number of items: 1
  • Dimensions: 7.09" h x 23.39" w x 9.45" l,
  • Binding: Paperback
  • 286 pages
Features
  • Used Book in Good Condition

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The Android's Dream

  • Published on: 1705
  • Binding: Mass Market Paperback

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[M461.Ebook] PDF Download Francesca Woodman: Works from the Sammlung Verbund, by Betsy Berne, Johannes Binotto

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Francesca Woodman: Works from the Sammlung Verbund, by Betsy Berne, Johannes Binotto

This volume--the most comprehensive monograph published on Francesca Woodman to date--considers her enigmatic photography in the light of the tradition of the tableau vivant and also explores for the first time her poetic use of props (mirror, gloves, wallpaper, etc.) as well as her unusual staging of space. Featuring 80 photographs and 20 previously unpublished works from the collection Sammlung Verbund in Vienna, it is the first publication ever to reproduce all of Woodman’s photographs in their original sizes, authentically reconstructing her idiosyncratic technique of placing the image on the photographic paper. Woodman’s stark, black-and-white photographs explore an intense curiosity and ambivalence toward the feminine self, but her often playful, surreal and symbolic gestures also demonstrate her ability to incorporate elements of humor into her otherwise sober iconography. This volume unifies all of these themes in her work under the broad concept of tableau vivant, showing how Woodman radically reimagined that tradition. It also includes the first detailed and illustrated biography of her life.
Francesca Woodman (1958–1981) was born into an artistic family and began to develop her interest and skill in photography during her early teenage years. She produced a distinct and original body of work in under a decade. Woodman committed suicide in 1981 at the age of 22. In the years following her death, Woodman’s work has achieved widespread critical acclaim.

  • Sales Rank: #217950 in Books
  • Published on: 2014-06-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.90" h x 1.30" w x 9.80" l, 4.15 pounds
  • Binding: Hardcover
  • 304 pages

Review
How many books devoted to Francesca Woodman do we need? Francesca Woodman: Works from the Sammlung Verbund closely follows the organization by periods and places employed by the 2012 Museum of Modern Art (San Francisco) exhibition catalogue, and its plate section repeats much of that book, with the addition of some pictures by the artist as a teenager. One nude-self portrait shows Woodman entwined with the roots of a tree, eerily evoking Ana Mendieta crossed with Ophelia. But a decision to print the reproductions in four-colour black and white, instead of the finer-resolution black and white of teh earlier book, leaves the images here less crisp and lacking the spooky dark glamour captured by SF MOMA'S catalogue. Because the new volume reproduces mostly posthumour prints we dont get tho see the idiosyncratic and revealing captions Woodman wrote on some of her photos, like the scrawled title appearing under the cockeyed print of the iconic 'On being and angel #1, 1977.' And since she became an angel, and has subsequently become a saint, it makes a difference whether she touched these relics. (Christopher Lyon Bookforum)

In the wake of her death, Woodman’s photographs ― haunting black-and-white images, which examine her own body and ambivalence toward it ― have received much critical acclaim. Yet a new exhibit, currently on display at Vienna’s Sammlung Verbund gallery, and corresponding book (out next month) argues against popular interpretations of Woodman’s images that foreshadow her premature demise. In an introductory essay, the critic Elisabeth Bronfen disputes Peggy Phelan’s suggestion that Woodman’s obsession with blurred renditions of her own figure are “understood as a way to rehearse her own death,” asserting instead: “By resolutely dedicating herself to the fragility of her own appearance as a photographic rendition, Woodman highlights the very inexorable inconsistency that ties the vitality of artistic work to the transience of life.” (Erica Schwiegershausen New York Magazine)

About the Author

Elisabeth Bronfen is professor of English and American studies at the University of Zurich and the Global Distinguished Professor of German at New York University. She is the author of several books, including, most recently, "Night Passages: Philosophy, Literature, and Film."

Most helpful customer reviews

82 of 84 people found the following review helpful.
Compares Favorably with 2006 Phaidon Book in Five Ways, But Unfavorably in Nine Ways
By ReviewerWhoPrefersToBeAnonymous
Francesca Woodman was a photographer who committed suicide in 1981 at the age of 22. The dust jacket blurb of this book says in part "Produced in conjunction with the first major American exhibition of the artist's work in more than two decades [at the San Francisco Museum of Modern Art and at New York's Guggenheim Museum], this catalog is a landmark reconsideration of Woodman for the twenty-first century." I'll compare it with the 2006 book published by Phaidon that is also titled "Francesca Woodman".

Here is a list of five ways in which this book compares favorably with the Phaidon book: (1) The inside of the dust jacket has a cool reproduction of the right part of the diazotype entitled "Caryatid, New York, 1980." See Customer Image. (2) The paper is an elegant off-white color, instead of the harsh white of Phaidon. (3) The reproductions of the prints are at the original size whenever possible, as opposed to Phaidon which reproduces some photos larger and some photos smaller than the originals. See Customer Image. (4) The four essays on pages 166-213 are together better than the Phaidon book's 66-page essay "Scattered in Space and Time" by Chris Townsend which rambles considerably. For me, the most interesting essay (because it didn't overlap much with essays in other books on Woodman) was "The Geometry of Time: Some Notes on Francesca Woodman's Video" on pages 196-203. (5) I didn't do an exact count, but approximately one-third of this book's 180 photos are not found in the Phaidon book. (In fact, the dust jacket blurb says that this book has "many previously unpublished photographs," although inside the book one cannot tell which photos have or have not been published before.) Some of the not-in-Phaidon photos grab your attention, like the one on page 101 showing the back of a woman with a brooch somehow attached to her palm (which is reproduced on the back of the dust jacket), or like the one on pages 162-163 in which Woodman poses nude in front of her birth certificate.

Here is a list of nine ways in which this book compares unfavorably with the Phaidon book: (1) This book has only four mostly-small images from Woodman's early work (1972-1975, such as "Self-Portrait at Thirteen"). The Phaidon book has early work on pages 23 and 75-83. (2) The reader cannot appreciate the sequencing of the pages in the two artists' books "Portrait of a Reputation" and "Some Disordered Interior Geometries." The 2006 Phaidon book contained thumbnail images of the entire two books on pages 236-239. (3) The photos on pages 69 and 100 are clearly related to each other, having been shot against the same wall, and involving dirt on the model's body. It is unclear why they are not on the same page spread. Same goes for the photos on pages 68 and 86, and on pages 78 and 98 (both from "Several Cloudy Days"). (4) Some of the 180 thumbnail-size photos in the "Catalogue of the Exhibition" on pages 204-219 are not reproduced at a larger size elsewhere in the book. (5) Some of the 180 photos in the "Catalogue of the Exhibition" are reproduced at a larger size in the "Essays" section, but the catalogue does not specify the pages. For example, a larger version of #2 is found on page 178, #24 ("Polka Dots") on p.168, #14 on p.189, #46 ("Directing Lightning #1") on p.176, #71 on p.186, and #176 on p.177. See Customer Image. (6) The Phaidon book has some memorable photos not found in this book, for example the one in which Woodman is holding the object that looks like a fish skeleton behind her back (Phaidon p.194). (7) The Phaidon book's postcards, studies (sketches), extracts from Woodman's journal, and "To Tell The Truth" essay by Woodman's friend give interesting insights into Woodman's methods. (8) Although the bibliography contains more recent articles than the Phaidon book, it also excludes some older articles that the Phaidon book has. (9) There is no index.

In summary, if you want to learn about this fascinating photographer, buy both this book and the Phaidon book from Amazon.com!

8 of 9 people found the following review helpful.
Inside a Darkened Mind
By Grady Harp
Francesca Woodman (1958 - 1981) is one of those artists whose potential was never realized fully - she died, the result of suicide, in 1981 at the age of 22. But the images she created with the camera continue to haunt the viewer and this portfolio puts it all together very well. Woodman's small photographs deal with the feminine mystique, an acceptable way of describing the strange poses she created with women models - including herself. There is a flavor here of surrealism (especially in the image f a seated girl with a handing mirage of a feminine body nearby.

It is difficult to grasp the degree of creativity necessary to create some 800 images in the course of the nine years during which she embraced her art. These images are not suggestive of Dorothea Lange or Diane Arbus, but they tend to have the same sort of response from the viewer - intense reality that becomes surreal in the context in which the statement is made. Her language is definitely her own, a mixture of dark motifs, sinister atmospheres, the use of 'sets' that are well worn interiors with the accompanying used and abused accouterments, and a sense of alienation, likely not dissimilar form the fragile mind state at her demise.

The book is a well-designed catalogue with sensitive essays and the largest collection of the works of this fascinating photographer artist that has been published. Highly Recommended. Grady Harp, February 12

3 of 3 people found the following review helpful.
Extraordinary Book
By Tomas Dittborn Barros
This is again a very psychological photographic book of francesca woodman. she was a young gifted photographer and her work is amazingly good. the books is a piece of art.
definitly a must have book.

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Rabu, 14 Agustus 2013

[T834.Ebook] PDF Ebook Last Train to Memphis: The Rise of Elvis Presley, by Peter Guralnick

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Last Train to Memphis: The Rise of Elvis Presley, by Peter Guralnick

Last Train to Memphis: The Rise of Elvis Presley, by Peter Guralnick



Last Train to Memphis: The Rise of Elvis Presley, by Peter Guralnick

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Last Train to Memphis: The Rise of Elvis Presley, by Peter Guralnick

From the moment that he first shook up the world in the mid 1950s, Elvis Presley has been one of the most vivid and enduring myths of American culture.

Last Train to Memphis: The Rise of Elvis Presley is the first biography to go past that myth and present an Elvis beyond the legend. Based on hundreds of interviews and nearly a decade of research, it traces the evolution not just of the man but of the music and of the culture he left utterly transformed, creating a completely fresh portrait of Elvis and his world.

This volume tracks the first twenty-four years of Elvis' life, covering his childhood, the stunning first recordings at Sun Records ("That's All Right," "Mystery Train"), and the early RCA hits ("Heartbreak Hotel," "Hound Dog," "Don't Be Cruel"). These were the years of his improbable self-invention and unprecedented triumphs, when it seemed that everything that Elvis tried succeeded wildly. There was scarcely a cloud in sight through this period until, in 1958, he was drafted into the army and his mother died shortly thereafter. The book closes on that somber and poignant note.

Last Train to Memphis takes us deep inside Elvis' life, exploring his lifelong passion for music of every sort (from blues and gospel to Bing Crosby and Mario Lanza), his compelling affection for his family, and his intimate relationships with girlfriends, mentors, band members, professional associates, and friends. It shows us the loneliness, the trustfulness, the voracious appetite for experience, and above all the unshakable, almost mystical faith that Elvis had in himself and his music. Drawing frequently on Elvis' own words and on the recollections of those closest to him, the book offers an emotional, complex portrait of young Elvis Presley with a depth and dimension that for the first time allow his extraordinary accomplishments to ring true.

Peter Guralnick has given us a previously unseen world, a rich panoply of people and events that illuminate an achievement, a place, and a time as never revealed before. Written with grace, humor, and affection, Last Train to Memphis has been hailed as the definitive biography of Elvis Presley. It is the first to set aside the myths and focus on Elvis' humanity in a way that has yet to be duplicated.

  • Sales Rank: #30173 in Books
  • Published on: 1995-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.38" w x 6.13" l, 1.45 pounds
  • Binding: Paperback
  • 576 pages

Amazon.com Review
There's no mention of sequins, drugs, or peanut butter in this understated biography of the teenaged Elvis, a serious and worthy attempt to answer the question, "Who was this guy before he was an icon, the voice of a generation, the King?" The essential clarity and honesty of Guralnick's prose clearly limns the eager, malleable boy whose immense talent changed the course of American music.

From Publishers Weekly
Vol. one of Guralnick's exhaustive, two-volume biography details the King's first 24 years, leaving off when his rise is interrupted by his being drafted into the army.
Copyright 1995 Reed Business Information, Inc.

From Library Journal
Another work on Presley? Since Guralnick is "one of the best, most respected popular music historians" in the business (Sweet Soul Blues Music, LJ 6/1/ 86), this could be good.
Copyright 1994 Reed Business Information, Inc.

Most helpful customer reviews

49 of 49 people found the following review helpful.
Elvis 101
By Amazon Customer
"Last Train to Memphis" and its sequel, "Careless Love", make a deeply engrossing, carefully researched, finely written biography of Elvis Presley.
Author Peter Guralnick took eleven years to exhaustively research sources and interview people who knew Elvis personally and would tell their firsthand experiences. Guralnick's scholarly approach automatically eschews any hint of the fan adoration that can taint celebrity biographies. Guralnick might even have erred on the dry side rather than the juicy or dishy side of the story. This is all to the good, because Elvis' life story, a fantastic, zany, epic arc through American pop culture, is one that needs no embellishment and is served well by a measure of journalistic restraint.
Guralnick made a wise choice with the two-book format, because in Elvis' life there was a distinct "Rise and Fall." "Last Train to Memphis" is the rise: "Careless Love" is the fall. In each volume, Guralnick reveals much not just about Elvis, but about the people who were his family and closest friends and how their actions and relationships to him and to each other shaped Elvis into the man he became.
Accounts of his school days, his early days as a musician, his early girlfriends, and his family life all flesh him out as a human being and penetrate the shell of celebrity to offer a three-dimesional glimpse of the individual and his own ideas and aspirations and insecurities. The first volume ends with the death of Elvis' mother, a loss that sent him into the first tailspin of many, from which he never seemed to recover.
After reading this volume, you will be hooked on the story and will want to immediately begin the second volume, which is much darker and sadder as the King's world starts to unwind, chronicling his spiraling drug habit and his battles both public and personal. The second volume is catalogued and reported as dispassionately as the first, so that the same unblinking honesty that gave "Last Train" such sparkle and joy reveals the true depth of Elvis' isolation without having to resort to hyperbole.
Guralnick said it himself; that the rise to fame and the person were larger than life, and so too was the decline larger than life. It's an ending that leaves you feeling sad that what began so brightly should end so awfully.
I read these books because I knew very little about Elvis and wanted to know his life story, and they are a deeply satisfying and very credible account of the King's life. I can't imagine that there is a better bio out there for anyone who wants to study Elvis 101.

89 of 94 people found the following review helpful.
Some People Actually Think He's Dead...
By A. Wolverton
But it's not true...Elvis DOES live...in the pages of Guralnick's outstanding biography of Elvis Presley, a biography that will stand the test of time as the definitive study of the King of Rock n Roll.
In Volume One, Guralnick takes us from Elvis' humble beginnings in Tupelo, Mississippi to his departure for Army duty in Germany twenty-three years later. In between, readers will be fascinated with what they THOUGHT they knew about Elvis. LAST TRAIN differs from other books about Elvis in two very distinct ways: First, the author gives us first hand accounts from the people who were actually there. There's no tabloid journalism or second-hand anecdotes. Guralnick has done his research and it shows. Second, Elvis is never presented as an icon or an idol. Guralnick has the unique ability to step back away from the action as an impartial observer and give us an extraordinarily clear image of what Elvis was really like - a really nice, clean, religious kid who was consumed with music and making people happy.
You can almost feel the electricity of the recording sessions at Sun Studios. You can watch Sam Phillips as he realizes that this boy could change the course of popular music forever. Elvis' girls, friends, musicians...they're all here and they all have a piece of the story to tell. And what about the "Colonel" Tom Parker? Genius or huckster?
Of course, the hysteria is recorded as well. After all, it's part of the story. Crazed fans were nothing new. After all, girls had been going nuts over singers like Frank Sinatra and many others for years. But the world had never seen anything like this? How can you explain it? Guralnick never really comes right out with an explanation, but you'll be able to pick it up between the lines. But you'll enjoy the book so much in the process, all you'll care about is what happens next.
The writing, the storytelling, the descriptions...it's all outstanding. But if I had to pick two moments that really struck me, one would be Elvis near his popularity peak looking out of a train window. He saw a lone dog running in a field and longed for the freedom to roam the world unhindered by masses of admirers. It's a very simple, but powerful image of things to come. The other is the [end of life] of Elvis' mother near the end of the first volume. In one of the most heartbreaking scenes I've ever read, Elvis kneels beside his deceased mother's body, crying out that he would give up all of his success and go back to digging ditches if he could only have her back again. If you have dry eyes at the end of this book, your heart needs to be jumpstarted.
Like all good writers, Guralnick expertly foreshadows the tragic events that will take place in Volume Two. Even if you think you know the full Elvis story, you'll learn plenty by reading this book. The only bad part about finishing Volume One is not having a copy of Volume Two nearby. Buy both. You won't be sorry.
488 pages of text, 50 pages of notes and bibliography

51 of 53 people found the following review helpful.
great bio
By Orrin C. Judd
Peter Guralnick demonstrated in his definitive history of Soul music, Sweet Soul Music : Rhythm and Blues and the Southern Dream of Freedom, that he has a nearly unique grasp of the singular way in which popular music and the political culture intersect in American society. Along with Robert Palmer (Deep Blues) and Greil Marcus (Mystery Train), he has helped to craft a still pretty slender body of literature which takes pop music and its impact seriously, but also places it within a larger societal context. Now, in his two part biography of Elvis Presley, he has set out to strip away both the mythology (Volume One) and the demonology (Volume Two) that obscure Elvis and to restore some reasonable sense of perspective on the man and his music. In so doing, he offers us a new and useful opportunity to understand the personal and societal forces that converged to make him into The King, one of the genuine cultural icons of the 20th Century, and to trigger the Rock & Roll Era.
There are several main factors that Guralnick cites, which appear to have had a particular influence on how events transpired. First is the city of Memphis itself, which served as a nearly perfect crucible for forging the blend of Gospel, Country, Blues and Rhythm & Blues that made up Elvis's sound. A southern city, but not Deep South, there was at least limited interaction between the white and black worlds. But most importantly for this story, the city was saturated with music. Second, Sam Phillips, owner of his own fledgling Sun Records operation, was on the scene looking for a white act that could bring the black sound to a mass audience:
Sam Phillips possessed an almost Whitmanesque belief not just in the nobility of the American dream but in the nobility of that dream as it filtered down to its most downtrodden citizen, the Negro. 'I saw--I don't remember when, but I saw as a child--I thought to myself: suppose that I would have been born black. Suppose that I would have been born a little bit more down on the economic ladder. I think I felt from the beginning the total inequity of man's inhumanity to his brother. And it didn't take its place with me of getting up in the pulpit and preaching. It took the aspect with me that someday I would act on my feelings, I would show them on an individual, one-to-one basis.'
Finally, there was the man, actually he was more of a boy at the beginning, Elvis Presley. And Elvis was himself the product of several forces. There was the impoverished kind of white trash milieu from which Elvis came and which gave him a sense of alienation and otherness. As Phillips said of him:
He tried not to show it, but he felt so inferior. He reminded me of a black man in that way; his insecurity was so markedly like that of a black person.
Then there was his mother, Gladys, who--in addition to raising him to be polite, respectful, humble, even deferential--also gave him unconditional love, bordering on worship, which he returned in kind. These forces combined, as so often seems to be the case, to make him insecure on the one hand, particularly in the manner in which he approached and dealt with people, but, on the other, left him burning with an inner certainty that he was special and was meant to accomplish great things.
All of these forces combined into a volatile mix in the Sun recording studios on July 5, 1954. Phillips had brought Elvis in to work with a couple of local musicians, Scotty Moore and Bill Black, because he wanted them to do some ballads and Elvis had done some demos there, which Philips was not overwhelmed by but he thought Elvis had some potential as a ballad singer. The session was pretty desultory, if not downright unsuccessful, until that inevitable, now mythical, moment when during a break Elvis started fooling around doing Arthur "Big Boy" Crudup's old blues tune "That's All Right [Mama]". Phillips, initially shocked that this quiet white mama's boy even new the song, immediately recognized that this was just the type of thing that he had been looking for and got them to record it.
All of the tumblers had clicked into place. It was the nature of Memphis that Elvis and Sam had been exposed to, more like drenched in, the music of the black community. Sam happened to be looking for someone who could transport that music and, most importantly, the style and atmospherics of the music, into the white community. And in walks Elvis, that quintessential hybrid of insecurity and manifest destiny.
If success did not come overnight it did come quickly and Guralnick masterfully charts the meteoric rise that took them up the charts and took Elvis to television and then to Hollywood. This first volume also sees Colonel Parker take over from Sam, the purchase of Graceland, the eventual breakup of the original band, the death of Elvis's mother and his induction into the Army. Guralnick makes it all seem fresh and exciting, carrying the reader along on the tide of events. An incredible number of famous names stud the narrative and prove to have significant roles to play, including: Johnny Cash, Jerry Lee Lewis, Hank Snow, B.B. King, Sammy Davis, Jr., Eddy Arnold, Bill Monroe, Steve Allen, Milton Berle and, of course, Ed Sullivan. This is a great biography, one that should especially appeal to folks whose only image of Elvis is the fat, sweaty, drug-addled lounge lizard of popular caricature.
GRADE: A

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Senin, 12 Agustus 2013

[I531.Ebook] PDF Ebook The Lion Awakes: Adventures in Africa's Economic Miracle, by Ashish J. Thakkar

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The Lion Awakes: Adventures in Africa's Economic Miracle, by Ashish J. Thakkar

Three little known facts: Africa is now the world's fastest growing continent, with average GDP growth of 5.5% the past 10 years. Malaria deaths have declined by 30% and HIV infections by 74%. Nigeria produces more movies than America does.

The Lion Awakes is the true story of today's Africa, one often overshadowed by the dire headlines. Traveling from his ancestral home in Uganda, East Africa, to the booming economy and (if chaotic) new democracies of West Africa, and down to the "Silicon Savannahs" of Kenya and Rwanda, Ashish J. Thakkar shows us an Africa that few Westerners are aware exists. Far from being a place in need of our pity and aid, we see a continent undergoing a remarkable transformation and economic development. We meet a new generation of ambitious, tech savvy young Africans who are developing everything from bamboo bicycles to iPhone Apps; we meet artists, film makers and architects thriving with newfound freedom and opportunity, and we are introduced to hyper-educated members of the Diaspora who have returned to Africa after years abroad to open companies and take up positions in government. They all tell the same story: 21st Century Africa offers them more opportunity than the First World. Drawing from his business experience, and his own family's history in Africa, which include his parents' expulsion from Uganda by Idi Amin in the 70s and his own survival of the Rwandan genocide in 1994, Ashish shows us how much difference a decade can make.

  • Sales Rank: #730201 in Books
  • Published on: 2015-08-25
  • Released on: 2015-08-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.51" h x .92" w x 6.32" l, .0 pounds
  • Binding: Hardcover
  • 240 pages

Review

“Ashish's story is full of insights into doing business in Africa, recipes for success, as well as inspirational testimonies of turning personal adversity into positive action. This is a book for people who not only dream but dream with a purpose.” ―Ajay Banga, President and CEO, MasterCard

“This book shares a successful entrepreneur's love of Africa, where business can be a powerful force for good. It will also change your perceptions of Africa - for good!” ―Sir Richard Branson, Founder, Virgin Group

“Ashish Thakkar is an amazing entrepreneur, leader, and now, author. In The Lion Awakes, Ashish brings Africa - with its energy, dynamism and incredible potential - to life. Through his own remarkable story founding Mara Group and his profiles of other young African leaders, he helps readers understand what is driving Africa's transformation and how to take part. Ashish tells these stories in a casual yet captivating style that will hold your attention from the first page. On all dimensions, The Lion Awakes is a must-read!” ―Dominic Barton, Global Managing Director, McKinsey

“Ashish's story is fascinating and unique. It reveals, though, the emergence of an innovative, vibrant and ambitious generation of African entrepreneurs who are geared to reshape the continent in the 21st century and its positioning within the global landscape.” ―Gra�a Machel, widow of former South African president Nelson Mandela

“Ashish's passion for Africa is unrivalled, and what he and his family have achieved with Mara is remarkable. What I love about the book is that he's been able to bring it all to life on the page. If you're an investor or an entrepreneur, whether working in Africa or not, you should treat The Lion Awakes as a text book. You're not going to get a better teacher than my friend Ashish J Thakkar.” ―Bob Diamond, former CEO, Barclays

“The Lion Awakes reveals Africa's next generation of leaders coming into their own. Their creativity, dynamism, and versatility is on full display in Ashish J. Thakkar's engaging and inspiring story.” ―Kofi Annan, former Secretary General of the United Nations

About the Author
ASHISH J. THAKKAR is CEO and Founder of Mara Group, a pan-African business conglomerate that operates in 21 countries worldwide. In 2009 Ashish launched Mara Foundation, focusing on supporting emerging young African entrepreneurs. Ashish was appointed as a Young Global Leader by the World Economic Forum, and today he sits on the World Economic Forum's Global Agenda Council on Africa. In 2014 Forbes named him one of the ten most powerful men in Africa. He lives between Uganda and Dubai.

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2 of 2 people found the following review helpful.
Worthwhile
By Autamme_dot_com
A rather interesting, challenging book; something that at first one feared would be a bit of a tiresome, egocentric personal reflection but within a few paragraphs the author had expertly sold the idea to the reader.

The “African Lion” is waking up, the continent is slowly becoming more prosperous (it is the fastest growing continent presently) and it is the place to watch it seems. Hopefully some of the problems that have held the region back in the past can be held in check. Exciting times for sure may be ahead. This book is a first-person perspective, a look towards the future with an eye on the past; taking the reader on an African journey unlike anything they may have possibly experienced.

From the beginning one became hooked, reading about the polite cheek and drive of the author as a young boy selling his treasured computer to his father’s friend, for a profit, before promptly badgering his father to import another and selling it to his school principal for an even-larger profit. Films have been made of lesser stories. This book oozes positivity, hope and expectation that things will work out, yet there is no sense of entitlement, no excuses being made and no resentment of those who may (or may not) have held things back for the continent in the past.

The publicity material for the book set the scene well, with the reader “… being shown an Africa that few Westerners are aware exists. Far from being a place in need of our pity and aid, we see a continent undergoing a remarkable transformation and economic development. We meet a new generation of ambitious, tech savvy young Africans who are developing everything from bamboo bicycles to iPhone Apps; we meet artists, film makers and architects thriving with newfound freedom and opportunity, and we are introduced to hyper-educated members of the Diaspora who have returned to Africa after years abroad to open companies and take up positions in government. They all tell the same story: 21st Century Africa offers them more opportunity than the First World.”

It was an engaging read. It may challenge many perspectives. It exudes hope. Of course, you could criticise it for not rounding on those, Africans included, that have held the continent back, but this book may still be excused for that; it looks forward, it sees a future. This is a more poolside book than classroom book, even though it can serve both masters equally well. You need to set aside the time to give it a sequential read, but it flows well and it has an engaging story so time, and pages, soon rush by.

All in all, a very pleasant, interesting find that proved to be a worthwhile read.

1 of 1 people found the following review helpful.
You wont be able to put it down!
By Pritesh C
Great read! From the moment I picked it up, I could not put it down. This book will take you on a thrilling ride through the eyes of Ashish on a continent full of excitement. I truly enjoyed learning about the opportunities and the people of Africa. A must read!

1 of 1 people found the following review helpful.
Brilliant!!!!
By Amazon Customer
A book that takes you on a journey, a young entrepreneur with immense determination - simple yet brilliant!

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Kamis, 08 Agustus 2013

[Z594.Ebook] Free Ebook Shoulder and Elbow Anatomical Chart, by Anatomical Chart Company

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Shoulder and Elbow Anatomical Chart, by Anatomical Chart Company

This chart illustrates general shoulder and elbow anatomy. It shows anterior, posterior, lateral, and superior view of the shoulder. It also shows the socket of shoulder joint anterior and dislocation of humerus and illustrates impingement syndrome and acromioclavicular separation. It shows sagittal view of the elbow, as well as supination, pronation, and superior views of extension and flexion, and illustrates elbow fractures and tennis elbow.

  • Sales Rank: #2333675 in Books
  • Size: Laminated
  • Brand: Anatomical Chart Company
  • Model: 9781587797552
  • Published on: 2003-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 26.00" h x 20.00" w x .25" l, .25 pounds
  • Binding: Wall Chart
  • 1 pages
Features
  • Illustrates general shoulder and elbow anatomy. Shows anterior, posterior, lateral, and superior view of the shoulder.
  • Also shows the socket of shoulder joint anterior and disclocation of humerus.
  • Illustrates impingement syndrome and acromioplasty.
  • Shows sagittal view of the elbow, as well as supination, pronation and superior views of extension and flexion.
  • Size is 20 inches by 26 inches - Flexible plastic 1.5 mil lamination - Anatomical Chart.

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0 of 0 people found the following review helpful.
Great quality, shipped quickly
By Terrillja
Great print quality, arrived quickly, cheaper to buy from Amazon than directly from the publisher. Go figure. The lamination is of excellent quality. We have some that are 10+ years old and are bright and not faded at all.

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Rabu, 07 Agustus 2013

[D291.Ebook] PDF Ebook Handbook of Survey Research, Second Edition, by Peter V. Marsden

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Handbook of Survey Research, Second Edition, by Peter V. Marsden

'The Handbook of Survey Research, Second Edition' builds on its widely-recognized 1983 predecessor by updating its previous historical account of the development of survey research and the evolution of social science before going on to examine new and expanded usages of survey research during the past half century. Editors Peter Marsden (Harvard University) and James D. Wright (University of Central Florida), long-time editor of Elsevier's Social Science Research, have created an authoritative reference book and an excellent starting point for anyone requiring a broad examination of the field. Detailed chapters include: sampling; measurement; questionnaire construction and question writing; survey implementation and management; survey data analysis; special types of surveys; and integrating surveys with other data collection methods. This handbook is distinguished from other texts by its greater comprehensiveness and depth of coverage including topics such as measurement models, the role of cognitive psychology, surveying networks, and cross-national/cross-cultural surveys. Timely and relevant it includes materials that are only now becoming highly influential topics.

  • Sales Rank: #348915 in Books
  • Published on: 2010-04-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.88" w x 7.01" l, 3.50 pounds
  • Binding: Hardcover
  • 903 pages

About the Author
Professor of Econometrics, Marketing, and Statistics at the University of Chicago's Graduate School of Business, Peter Rossi has made significant contributions to the fields of finance, microeconomics, and econometrics. Dr. Rossi held the Kellogg Research Chair at Northwestern University, was the IBM Scholar in the Graduate School of Business at Chicago, and has won a number of awards for his work.

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