Jumat, 21 Januari 2011

[W674.Ebook] Download Ebook Introduction Paralegal Studies: Critical Thinking Approach 4 Ed, by Katherine A. Currier, Thomas E. Eimermann

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Introduction Paralegal Studies: Critical Thinking Approach 4 Ed, by Katherine A. Currier, Thomas E. Eimermann



Introduction Paralegal Studies: Critical Thinking Approach 4 Ed, by Katherine A. Currier, Thomas E. Eimermann

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Introduction Paralegal Studies: Critical Thinking Approach 4 Ed, by Katherine A. Currier, Thomas E. Eimermann

<p> <b>Introduction to Paralegal Studies: A Critical Thinking Approach</b> introduces paralegal students to the law and legal concepts while providing them with practical information about what paralegals actually do in the legal system. Now in its fourth edition, this text continues to deliver a comprehensive, intelligent overview of all the key concepts typically covered in introduction to paralegal studies or introduction to law courses. </p> <p> <b>Qualities that make this text an excellent teaching tool include:</b> </p> <ul> <li> <b>Critical thinking approach</b> used to introduce students to the study of law, encouraging them to interact with the materials through hypotheticals, examples, and well-designed questions. </li> <li> Teaches students the <b>basic skills necessary to understand statutes and court cases</b>. </li> <li> <b>Strong pedagogy</b> includes ethics alerts, marginal definitions, Internet references, and legal reasoning exercises throughout the book. </li> <li> <b>Well-organized, accessible format</b> </li> <li> <b>Excellent ancillary package</b>, with a comprehensive Instructor's Manual, in-depth test bank, and PowerPoint slides. Blackboard package also available. </li> </ul> <p> </p> <p> <b>The Fourth Edition is enriched by:</b> </p> <ul> <li> <b>New developments</b> are incorporated throughout this edition. </li> <li> <b>Updated ethics</b> materials. </li> <li> <b>New</b> and <b>updated</b> assignments </li> </ul> <p> For in-depth coverage of the legal system, the law and the analysis of it, and the role of the paralegal within the system, choose <b>Introduction to Paralegal Studies: A Critical Thinking Approach</b>. </p> <p> </p> <p> </p>

  • Sales Rank: #897236 in Books
  • Brand: Brand: Aspen Publishers
  • Published on: 2009-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.00" w x 8.00" l, 2.91 pounds
  • Binding: Paperback
  • 684 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
Do not purchase the kindle version!
By Maddie Bishop
Was foolish enough to get the kindle version of the textbook. Poor layout, omitted some of the nessasarry case briefs for my law class that were in the printed text, and had an overall scattered information base. The search tool was useless, and the table of contents were maladjudsted to the online setup. Will not be buying textbooks on any device in the future, and asking my professor to make the plain text mandatory.

1 of 1 people found the following review helpful.
Introduction for Paralegals
By Lotsopop
Great book for an introduction into tasks that a Paralegal may face in his/her professional career. Book does not go into depth for many topics, but introduces it briefly- hence why it is an introduction. Good book to read about if you're interested or want to know more about the Paralegal profession.

0 of 0 people found the following review helpful.
... book for a paralegal class and it was VERY good writing for the new paralegal
By D. D.
I had to use this book for a paralegal class and it was VERY good writing for the new paralegal. The book was actually better than the teacher. I believe this author writes from the perspective of someone who has no knowledge of being in law and takes you step by step into the process of becoming a paralegal.

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Selasa, 11 Januari 2011

[U104.Ebook] Free Ebook Psychology of Music: From Sound to Significance, by Siu-Lan Tan, Peter Pfordresher, Rom Harré

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Psychology of Music: From Sound to Significance, by Siu-Lan Tan, Peter Pfordresher, Rom Harré

Why are some disturbances of air molecules heard as 'noise' while others are perceived as music? What happens at the level of the sound wave, the ear, and the brain when we perform or listen to music? How do musical abilities emerge and develop, and become refined as one acquires musical expertise? And what gives music its deep emotional significance and its power to influence social behavior, across vastly different cultural contexts? These are some of the primary questions defining the field called 'the psychology of music' and driving the present volume.

This book provides an introduction to classic and current studies in the psychology of music, combining a comprehensive summary with critical assessments of existing research. The volume captures the interdisciplinary breadth of the field, while covering central topics in depth. Part One explores sound and music at an acoustic level, explaining auditory events with respect to the workings of the ear and brain. Part Two focuses on perception and cognition of melody, rhythm, and formal structure. Part Three examines the emergence and development of musical skills, and turns to the most practical aspects of psychology of music: music practice and performance. Finally, Part Four broadens the discussion to the question of meaning in music, with respect to its social, emotional, philosophical, and cultural significance. Throughout, both behavioral and neuroscientific perspectives are developed.

This book will be invaluable to undergraduate and postgraduate students in the fields of psychology and music, and will appeal to anyone else who is interested in the psychology of music.

  • Sales Rank: #833126 in Books
  • Brand: Tan, Siu-lan/ Pfordresher, Peter/ Harre, Rom
  • Published on: 2013-03-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x .90" w x 6.10" l, 1.10 pounds
  • Binding: Paperback
  • 368 pages

Review

"Tan et al.'s volume is an impressive achievement and merits serious consideration by anyone teaching a survey course in music cognition or seeking to recommend to a friend or colleague. It's 300-odd pages are packed with the most detailed overview of our field we are likely to see in any text in the near term and it covers the major aspects of the field quite comprehensively. I've not had the opportunity to use the text myself yet, but will certainly do so in the academic year. ... Every instructor teaching a survey course should examine [Psychology of Music]." - Dr. Richard (Ric) Ashley, Associate Professor of Music Theory and Cognition at Northwestern University and past President of the Society for Music Perception and Cognition in Music Perception

"Their evenhanded, reader-friendly treatment could easily be used as a basic text in a seminar on the psychology of music. ... The book integrates basic findings into a coherent narrative, avoiding the one-paragraph-per-study-strung-together quality that is a risk in any book of such scope. ... As it stands, Tan, Pfordresher, and Harr�’s volume is an engaging exposition of the current state of our knowledge of the psychology of music. The themes therein transcend their musical origin and make connections both with broader scientific psychology and real human experience. Reading it should significantly enhance one’s enjoyment and appreciation of music, regardless of one’s background or experience level. To paraphrase Nietzsche, experiencing music without knowledge may not entirely be a mistake, but experiencing it with the kind of up-to-date knowledge that may be gleaned from Psychology of Music is even more marvelous." - Aaron Kozbelt in PsycCRITIQUES

"Tan, Pfordresher and Harre provide a nice, engaging and up-to-date overview of the psychology of music, from acoustics to ethnomusicology.The authors accompany the reader through the meanders of this complex field which spans several disciplines. The book, written in a plain and introductory style, is the ideal guide for students, and a refreshing overview for specialists and non-specialists interested in��the psychology of music." - Simone Dalla Bella, Department of Psychology, WSFiZ, Warsaw, Poland and BRAMS, Montreal, Canada

About the Author

Siu-Lan Tan is Professor of Psychology at Kalamazoo College in Michigan USA. She graduated in Music Education and Piano Pedagogy and taught music for many years in Hong Kong and California before completing a Ph.D. in Psychology at Georgetown University. She is also primary editor of the recent book, The Psychology of Music in Multimedia. Her research focuses on musical unity, music notation, and film music, and her primary instrument is piano.

Peter Pfordresher is Professor of Psychology at SUNY Buffalo in New York USA, and an associate editor of the journal Music Perception. He completed his Ph.D. in Psychology at the Ohio State University. His research interests include the role of auditory feedback in music performance and causes of inaccurate singing. He has experience in musical performance with piano, trumpet, and voice, as well as song writing.

Rom Harr� is Emeritus Fellow of Linacre College, Oxford University. Currently he is Distinguished Research Professor of Psychology at Georgetown University and, until recently, Director of the Centre for the Philosophy of the Natural and Social Sciences at the London School of Economics. He has performed in various amateur ensembles on clarinet and saron. He was awarded an APA Lifetime Achievement Award (Division 24) in 2010, and the APA’s Theodore Sarbin Award in 2014

Most helpful customer reviews

1 of 2 people found the following review helpful.
Excellent journalistic summary of the field
By Subcatagorhyming
Psychology of Music: From Sound to Significance, by Siu-Lan Tan, Peter Pfordresher, and Rom Harr�, is an excellent, and very clearly written, up-to-date review of the general standard field of music psychology. In other words, the book is a well-researched, well-documented, balanced, unbiased, and lucid introduction for the layperson on the physiological, neurological, and cultural nature and significance of music as an auditory form. In that way, I unreservedly give this book a full five stars: I'm in love with it as a methodically rational scholar.

But, I'm deeply biased as a human being: I'm no Vulcan. While the book is journalistically admirable in its ultra-conservatively 'rational' refusal to jump to conclusions on the issues and on the empirical evidence, I, personally, believe that the musical sense, and, hence, the acoustic artifacts of that sense, is properly understood to be the proto-linguistic substance of what I call The Primal Logic. So, I personally `demote' Psychology of Music: From Sound to Significance to four stars. For a hint of one of the few things that informs my bias, read the two of David Huron's 1999 UC Berkley Lectures that are at [...] and [...] (respectively, Lecture 3. Methodology:The New Empiricism: Systematic Musicology in a Postmodern Age; and Lecture 2. An Instinct for Music: Is Music an Evolutionary Adaptation?)

0 of 0 people found the following review helpful.
A bit confusing for the lay-person
By Joe Lisle
Sections of the book can be confusing for the average lay-person but I believe they do a good job of explaining things when necessary. It lays a fantastic foundation and provides for a thought-provoking read!

0 of 0 people found the following review helpful.
Very good information
By B. Smith
This book is a very good overview of music in psychology. Well written and researched. I would recommend this book to anyone interested in the field.

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Kamis, 06 Januari 2011

[V976.Ebook] Ebook K-9 Bodyguards, by Michael Harlowe, Mike Harlow, Michael Harkwe

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This book opens the door to everyone interested in a truly "personal" bodyguard. Over 200 action-packed full-color photos illustrate training techniques for both the novice and the expert trainer. Step-by-step instruction on tactics developed and tested on the street, in real-life crime situations, with legendary results. Harlow explains how to get the most out of your dog in obedience, tracking, bitework, running apprehension, building and area search, agility, and other practical areas.

  • Sales Rank: #775495 in Books
  • Brand: Brand: TFH Publications
  • Published on: 1995-03
  • Original language: English
  • Number of items: 1
  • Dimensions: .71" h x 7.06" w x 10.35" l,
  • Binding: Hardcover
  • 160 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

16 of 19 people found the following review helpful.
Very good book,great photos.
By A Customer
This book was great, but should be used with the book by William Koehler "The Koehler Method Guard Dog Training".The obedience training section of the Koehler book should be mastered first,then the rest of the Koehler book read ,then this book read last .Then if you still want to have a guard dog proceid.This book is a great read , great photos but should not be used as a sole guide for guard work.

12 of 14 people found the following review helpful.
Useful Information
By Joseph Reader
I basically agree with the comments made by the reader/reviewer from Las Vegas (dated August 25, 2001). I think this book is well worth reading for the variety of useful information it presents, including insights into suitable breeds. And, while I am not personally knowledgeable about training dogs (and therefore cannot opine about the merits of this book's training techniques), the book does SEEM to make sense and appears to be based on actual experience. It is quite well written, though rather expensive (perhaps the pictures are TOO glossy). Like the Las Vegas reviewer, I think this book should be read in conjunction with at least one other reputable book on the subject. (Too much is at stake--training dogs to bite, etc.--for us to rely on only one book's viewpoint.) The other book I therefore recommend is "Protection Dogs for You and Your Family," by Weiss and Rose, et al. If you read that book along with Harlowe's "K-9 Bodyguards," you should get good cross-illumination on this important subject.

4 of 4 people found the following review helpful.
great book
By ned flanders
This book was a great help with protection training my pitbull. If you start out with a dog with a solid temperament and follow the principles of this book, you can have a good protection dog and a great family pet. The Harlowe method of teaching the out is the kindest to the dog, uses no force,and is very reliable. My dog outed cleanly the first time on a decoy, and never failed to out cleanly. The Harlowe method for teaching the running recall is also very simple and effective. This is the best book I have read on training a FAMILY protection dog, and it is very unlikely that you will need to use any harsh methods if you start early with your puppy. The only other thing I would like to add is that you probably need to work with an experienced decoy and trainer if you are new to protection training, there are a lot of things that can go wrong. It is also takes a lot of time and effort to train a protection dog, you can't do it half way.

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Rabu, 05 Januari 2011

[W957.Ebook] Ebook The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary, by Simon Winchester

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The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary, by Simon Winchester

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The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary, by Simon Winchester

The Professor and the Madman, masterfully researched and eloquently written, is an extraordinary tale of madness, genius, and the incredible obsessions of two remarkable men that led to the making of the Oxford English Dictionary -- and literary history. The compilation of the OED, begun in 1857, was one of the most ambitious projects ever undertaken. As definitions were collected, the overseeing committee, led by Professor James Murray, discovered that one man, Dr. W.C. Minor, had submitted more than ten thousand. When the committee insisted on honoring him, a shocking truth came to light: Dr. Minor, an American Civil War veteran, was also an inmate at an asylum for the criminally insane.

This audio also includes a conversation between Simon Winchester and John Simpson, editor of the Oxford English Dictionary

  • Sales Rank: #257714 in Books
  • Brand: Winchester, Simon/ Winchester, Simon (NRT)
  • Published on: 2005
  • Released on: 2005-10-04
  • Format: Unabridged
  • Original language: English
  • Number of items: 6
  • Dimensions: 5.50" h x 5.00" w x .75" l, .38 pounds
  • Running time: 27000 seconds
  • Binding: Audio CD
  • 6 pages

Amazon.com Review
The compilation of the Oxford English Dictionary, 70 years in the making, was an intellectually heroic feat with a twist worthy of the greatest mystery fiction: one of its most valuable contributors was a criminally insane American physician, locked up in an English asylum for murder. British stage actor Simon Jones leads us through this uncommon meeting of minds (the other belonging to self-educated dictionary editor James Murray) at full gallop. Ultimately, it's hard to say which is more remarkable: the facts of this amazingly well-researched story, or the sound of author Simon Winchester's erudite prose. Jones's reading smoothly transports listeners to the 19th century, reminding us why so many brilliant people obsessively set out to catalogue the English language. This unabridged version contains an interview between Winchester and John Simpson, editor of the Oxford dictionary. (Running time: 6.5 hours, 6 cassettes) --Lou Schuler

From Publishers Weekly
The Oxford English Dictionary used 1,827,306 quotations to help define its 414,825 words. Tens of thousands of those used in the first edition came from the erudite, moneyed American Civil War veteran Dr. W.C. Minor?all from a cell at the Broadmoor Criminal Lunatic Asylum. Vanity Fair contributor Winchester (River at the Center of the World) has told his story in an imaginative if somewhat superficial work of historical journalism. Sketching Minor's childhood as a missionary's son and his travails as a young field surgeon, Winchester speculates on what may have triggered the prodigious paranoia that led Minor to seek respite in England in 1871 and, once there, to kill an innocent man. Pronounced insane and confined at Broadmoor with his collection of rare books, Minor happened upon a call for OED volunteers in the early 1880s. Here on more solid ground, Winchester enthusiastically chronicles Minor's subsequent correspondence with editor Dr. J.A.H. Murray, who, as Winchester shows, understood that Minor's endless scavenging for the first or best uses of words became his saving raison d'etre, and looked out for the increasingly frail man's well-being. Winchester fills out the story with a well-researched mini-history of the OED, a wonderful demonstration of the lexicography of the word "art" and a sympathetic account of Victorian attitudes toward insanity. With his cheeky way with a tale ("It is a brave and foolhardy and desperate man who will perform an autopeotomy" he writes of Minor's self-mutilation), Winchester celebrates a gloomy life brightened by devotion to a quietly noble, nearly anonymous task. Photos not seen by PW. Agent, Peter Matson. BOMC selection.
Copyright 1998 Reed Business Information, Inc.

From School Library Journal
YA-This unusual and exciting account centers on two men involved in the creation of the Oxford English Dictionary-Professor James Murray, its editor, and Dr. William Chester Minor, a true Connecticut Yankee who was one of the resource's most prolific contributors. The most surprising aspect of this long and productive partnership was that Dr. Minor, probably a schizophrenic, was incarcerated in England's most notorious insane asylum during the whole of their working relationship. He was a scholar and medical doctor whose fragile mental condition was probably exacerbated by duty as a surgeon during the American Civil War. His imprisonment was not harsh and his devotion to the cause of the dictionary and his precise and prolific contributions probably helped him hold on to some sense of reality. Winchester's descriptions of Civil War battlefields and the search for definitions of words such as aardvark or elephant are intriguing and compelling. This is a fine tale for both word lovers and history buffs. The momentum of the beginning scenes of warfare and murder are followed, not disappointingly, by descriptions of the trials and tribulations of dictionary crafting. Readers will meet some extraordinary men and an unusual woman, and find themselves well and truly ensconced in the late 19th century.
Susan H. Woodcock, Kings Park Library, Burke, VA
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Words, madness and wonder.
By samssis
Did you ever wonder just how the Oxford English Dictionary came to be? Simon Winchester, another fine historical novelist, tells the story of this monumental achievement as the life-work of the modest and brilliant scholar, James Murray. When he publishes a call to men of letters to start a compilation of all the words in the English language replete with all the semantics and origins of such words, he begins a twenty year correspondence with a prolific and tireless contributor. This person, Dr. W. Minor, is one of the more tragic and unknown figures of American history. His semantic acumen is only matched by his hughly unfortunate fate caused largely by the war of brothers, the Civil War. To reveal more is to give away the plot of this remarkable true story of two unsung heroes in the world of academics.

A must read for the lover of the English language, for the conissour of words, for another indictment on war and its collateral damages, on the tragedy of mental illness and in the end the perseverance and resiliency of the human spirit.

1 of 1 people found the following review helpful.
Tragic and Amazing
By QA
This was the April book for our Library Book Club. Wow! This was a very well written book. I found it to be very interesting and informative. The creation of the Oxford English Dictionary took place before many mental illnesses were officially diagnosed. I found it very interesting that one of the main contributors was a Civil War veteran, Dr. W. C. Minor, a medical doctor who had committed murder and was an inmate at an English asylum for the criminally insane. Today he would probably be diagnosed with paranoid schizophrenia and treated with medication. Dr. Minor’s story is tragic but it is amazing that he was able to turn his madness into brilliance in his contribution to the Oxford English Dictionary. He answered the call when Professor Murray sent out requests for contributors to read several books and contribute page number references to words found in recommended books that should be added to the dictionary. This was a huge undertaking. He loved to read and both he and Professor James Murray were obsessed with creating the Oxford English Dictionary. This is an amazing dictionary and I have used the online version often in my work as a quality assurance coordinator. This is an amazing story and well worth the read.

1 of 1 people found the following review helpful.
A fascinating book, marred by a bad last chapter.
By Martin van Creveld
An absolutely fascinating account of the origins of the largest lexical enterprise in history, the Oxford English Dictionary, as well as the men who initiated it and worked on it.

Among the latter, the most interesting was William Minor. An American and a doctor by training, he served in the US Army during the last years of the Civil War when he went through, and participated in, some gruesome events indeed. These events may or may not have triggered his paranoia which caused him to murder an innocent laborer in London, where he moved after the war's end. Whereupon he was judged insane and committed to an asylum for life. It was from his cell, in reality two comfortable rooms, that he made a vast contribution to the Dictionary.

The weakest part of the book comes towards the end, There Winchester, speculates--speculates is the right word--about what may have caused MInor's paranoia and mental illness. Comparing the symptoms to those of PTSD, he claims that the latter was first identified during the 1991 Gulf War! A pity, for I would gladly have given his book five stars.

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Senin, 03 Januari 2011

[A281.Ebook] Get Free Ebook Designing and Patternmaking for Stretch Fabrics, by Keith Richardson

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Designing and Patternmaking for Stretch Fabrics, by Keith Richardson

Designing and Patternmaking for Stretch Fabrics, by Keith Richardson



Designing and Patternmaking for Stretch Fabrics, by Keith Richardson

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Designing and Patternmaking for Stretch Fabrics, by Keith Richardson

Stretch fabrics are more popular than ever, from Juicy Couture's sweats to the trendy, ready-to-wear styles found at H&M. Stretch fabrics have long been a staple of designer fashion as well-from Missoni's colorful knits to Donna Karan's basics. Designing and Patternmaking for Stretch Fabrics provides the design student or working designer with the essential information for understanding the specifics of knit fabrics and the patternmaking process for different garments. Fibers, dyes, treatments, care, and fabric sources are discussed, along with the principles of sizing and measuring for women's, men's, petite, plus, and half sizes. Chapters focusing on particular garments begin with a draft of a sloper. Numerous illustrations and diagrams demonstrate the effects of draping, gathering, shirring, ruffling, and making adjustments as needed to flatter the wearer. These instructions will put students' skills and creativity to work with everything they need to turn an ordinary garment into one of original designer quality.

  • Sales Rank: #897295 in Books
  • Published on: 2008-01-18
  • Released on: 2008-01-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.03" h x .4" w x 9.11" l, 2.43 pounds
  • Binding: Spiral-bound
  • 496 pages

Most helpful customer reviews

2 of 3 people found the following review helpful.
Great book, but you better know your ratios
By Cindy T.
This is a great book and I've not worked as closely with it as my other books on pattern making. Stretch fabric is another whole animal altogether. However I like using stretch fabrics and am picking up a lot of great and important information when considering pattern drafting. It is vital to consider the pattern structure so that you don't get any loose gapes the wrong ratio of stretch. Stretch fabric is quite forgiving which is why it is fun to use, This book starts with the basic knowledge base which I found helped me tremendously. It made me feel comfortable and confident to start digging in and trying out my hand at drafting pieces. This is not for a person who doesn't know how to sew, or who does not understand pattern construction. There is a sequence of construction that your brain works through when you see the odd shapes and sizes of the various pattern pieces. Sometimes it is an engineering feat, making and constructing designs. I am very grateful for this book. Remember to make sure that you may need to use the metric system when usiing books that were written by authors in Europe. Other than that go for it! Enjoy!

26 of 27 people found the following review helpful.
Beware!
By mainer
Beware! There are several inaccuracies in this book starting with stretch reduction tables on page 77- mostly mathematical errors. Some errors are random but some are in the entire table. I called the the publisher (Fairchild) and they are aware of the problem but I'm wondering why it's not recalled! Shame on you Fairchild!

Is K. Richardson reviewing his own book? see review below.

10 of 11 people found the following review helpful.
Design and Patternmaking for Stretch Fabrics
By I. Schmidt
This book was assigned as our college text book for working with knits. It is horrible. There are typos, gramatical errors and other mistakes on what feels like every page. It is not possible to follow the directions as per the book if you do not already have a backround in drafting, for example there are missing instrutions.

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Jumat, 31 Desember 2010

[Z431.Ebook] Fee Download The Big Miss: My Years Coaching Tiger Woods, by Hank Haney

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The Big Miss: My Years Coaching Tiger Woods, by Hank Haney

Hank Haney's candid, surprisingly insightful account of his tumultuous six-year journey with Tiger Woods, during which the supremely gifted golfer collected six major championships and rewrote golf history. Hank was one of very few people allowed behind the curtain and observed Tiger in nearly every circumstance. There's never been a book about Tiger that is as intimate and revealing--or as wise about what it takes to coach a star athlete.
 
From 2004 to the spring of 2010, Hank Haney was Tiger Woods's coach, and Tiger was Haney's only client. In that period, Tiger won more than a third of the tournaments he entered and six of his fourteen major titles. Haney felt hugely honored to help Tiger with his swing, and he approached the job with intense absorption and attention to detail. Haney was with Tiger 110 days a year, spoke to him over 200 days a year, and stayed at Tiger's house up to 30 days a year--sometimes affording him more contact with Tiger than either the athlete's agent or caddy. Haney saw his student in nearly every circumstance: in the locker room; on the course; with his wife, Elin; and relaxing with friends. Haney was there through it all, observing how Tiger's public identity sometimes meshed awkwardly with the roles of husband and friend, and how the former child prodigy came to have a conflicted relationship with the game that made him famous.

  • Sales Rank: #52129 in Books
  • Brand: Three Rivers Press CA
  • Published on: 2013-03-12
  • Released on: 2013-03-12
  • Format: Unabridged
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .60" w x 5.20" l, .53 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Three Rivers Press CA

Review
“Insightful...Advance coverage of The Big Miss focused on the sensational...but those revelations misrepresent the primary focus of the book, which is to convey the experience of working with Woods as an instructor and to dissect what makes Tiger Tiger...Golf fans will put the book down feeling as if they were an eyewitness to history, and glad for the experience.”
--Wall Street Journal
 
“An alarming look at an athlete whose public glories masked a day-to-day existence of profound superficiality…Even more revealing than the swing material is evidence of Woods’ emotional blank wall: his indifference to people around him, his inability to empathize, and an obsession with military training and the Navy SEALs that, according to Haney, probably led to the leg injuries which have hampered Woods’ golf career.”
--Golfweek
 
“I learned more about Tiger in The Big Miss than I have in eleven years of covering him on the PGA Tour…I actually thought the book was very fair, it was honest.”
--Damon Hack, Senior Writer, Sports Illustrated

“While The Big Miss is many things -- a coach’s story; an account of a collapse; a deep dive into the swing mechanics and the art of golf – it also offers a welcome and unvarnished look inside.  Books about major athletes are often authorized pabulum or arm’s-length agglomerations.  Haney’s recollections are his own, and subject to dispute, but this is a rich and compelling rendering of a complicated athlete undone less by embarrassing details than by a self-inflicted, unsustainable myth.”
--Jason Gay, The Wall Street Journal
 
“Offers fascinating insights…The biggest strength of The Big Miss is the breadth of its insider view of the Tiger Woods phenomenon, a scrutiny previously unavailable to the public.”
--Kansas City Star

“Incredibly interesting—especially if you play golf...Haney does a great job of simply telling it like it is...The "why" behind the mystery of Tiger's perplexing personality weaves its way through the entire book.”
-David G. Kindervater, Featured Columnist, Bleacher Report
 
“After flying through this 247-page, mostly breezy and fascinating look into the life of a champion, I suspect most readers will ultimately have a newfound respect for Woods. I know I do....For the first time in the history of golf literature, we get a behind-the-scenes look at how an all-time great works. Many times the details are not pretty, but most of the journey Haney takes us on reveals a relentless passion to thrive in an era when so many professionals appear content to occasionally contend and collect healthy checks.  If I were asked to recommend a book for an aspiring young golfer, The Big Miss would be the first title I’d select if for no other reason than most of today’s Tiger-wannabes will be motivated to work much harder than they currently do.”
--GeoffShackelford.com

“Thoughtful…Haney makes his case fairly and honestly, emerging not as a self-serving, tell-all author but as a man who has devoted his working life to the intricacies of the golf swing and who, finally, remains thankful to have spent six years with the best golfer on the planet.”
--Booklist

"The Big Miss is the most extensive and interesting portrait of Woods you're ever likely to read...[it] shines a light on the most opaque celebrity in sports. For that reason alone, it's a can't-miss."
--Orange County Register

About the Author
HANK HANEY coached Tiger Woods from early 2004 to the spring of 2010 and is considered by many to be the world’s number one golf instructor. He has tutored more than 200 touring professionals and runs several teaching facilities around the world. In addition to hosting the top-rated Golf Channel show The Haney Project, Hank also contributes to numerous publications and has appeared on the cover of Golf Digest seven times.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

The Last Time

Finally, a moment of truth.

Less than an hour before he’ll tee off in the final round of the 2010 Masters, Tiger Woods walks onto the far corner of the Augusta National’s vast practice range.

The other players and caddies sneak looks. A cheer rises from the packed grandstands, and the rowdier people squeezed together behind the green gallery ropes yell encouragement from short range. “Go, Tiger! You’re the man!” He might be disgraced, he might be a punch line, but he’s still iconic.

As he puts on his glove, the force of the collective gaze that always makes me feel uncomfortable when I’m walking with Tiger at a major championship is more penetrating. He’s become more than just the greatest player alive. He’s the human being who’s fallen farther faster than anyone else in history. The haters, the sympathizers, the commentators—everyone—want to see what it’s done to him.

So do I. Yes, he’s been different since returning from an addiction-treatment facility six weeks ago—more subdued, possibly shell-shocked—but I’ve been waiting to judge whether he’s changed as a golfer. Tiger has always been able to go to a special place mentally in the majors, and I’m eager to find out if he still can. Will he still be Tiger Woods? Passing golf’s excruciating Sunday tests has always been what he does best. But this one feels most like a reckoning.

Tiger is in third place, four strokes behind Lee Westwood and three behind Phil Mickelson. Without saying so—he’s said little about anything all week—he knows that a good round today will regain him respect. And it’s in the air that a victory would be even bigger than the 2008 U.S. Open at Torrey Pines, when he won on a broken leg; finishing on top here might legitimately be judged the most dramatic win in golf history. It would mean redemption, a goal that suddenly seems more important than surpassing Jack Nicklaus’s record of 18 major championships.

Now it’s go time. Tiger’s Sunday warm-ups are traditionally works of art, especially when he’s in contention. After three competitive rounds, he’s usually distilled what is working to its essence, and using a mix of adrenaline and focus, he can go through the whole bag without missing a shot. Despite having watched Tiger hit thousands of balls, I still feel that thrill that comes with seeing him with full command at close quarters. His swing begins with serene poise at address, continues with a smooth gathering of power, and then, with the coordinated explosion that announces a supreme athlete, uncoils in a marriage of speed and control, the ball seemingly collected more than hit by the clubface. As he relaxes into his balanced finish, the look Tiger gets on his face as he watches his ball fly is more peaceful than at any other moment.

But something is wrong. After a few balls, I can see Tiger is strangely detached. He’s taking too little time between swings, barely watching where the balls go, sometimes even taking one hand off the club before completing his follow-through. The flush yet cracking sound of his impact that for years has announced his superiority over other players isn’t quite the same. He’s having a terrible warm-up, almost as if he’s not really trying. Other than a few quick grimaces of disgust, his face remains eerily stoic.

I’m about ten feet away, standing behind him along his target line, checking to see if his club shaft is on plane, marking his head movement, assessing the ball flight, weighing whether to say something or continue to stay quiet. It’s what I’ve done as his coach during countless practice sessions over the past six years, but he’s acting as if I’m not there. I wait for some eye contact from Tiger, some words beyond a mumble, some sense of partnership in this warm-up and this moment. I get nothing. Since emerging from his meal in the clubhouse, he’s switched on that cold-blooded ability to leave a person—even someone close to him—hanging. Amazingly, right here, right now, Tiger is blowing me off.

This is the treatment. I got my initiation the second time I ever officially worked with him, on the practice range at Isleworth in March 2004. I’d stood my ground then, and I’m standing my ground now. Tiger doesn’t respond well when underlings ask him if something’s wrong, or worse, when they’ve done something wrong. His longtime but now former trainer, Keith Kleven, was always fretting about whether Tiger was mad at him. Rather than taking Keith’s concern as a show of loyalty, Tiger saw weakness. In his world of testosterone-fueled heroics and military hardness, that’s unacceptable.

He’s never done this at a major championship when he’s been in contention, so I’m not sure what he’s thinking. My best guess is that he’s carried over his aggravation from the night before, when the raw numbers on the scoreboard forced a realization that winning will be a long shot. He’s probably telling me in a passive-aggressive way that he doesn’t like the golf swing I’ve given him for this week. His swing problems could also be attributable to pain in his chronically injured left knee or some other body part, but he hasn’t complained about anything like that all week. Ultimately, there may be a far simpler reason for the chill I’m feeling from him: He’s firing me in the nonconfrontational way that’s more common to a breakup than a professional relationship.

Whatever is going on, I know one thing: He’s not going to explain.

I react clinically. Tiger is Tiger, in all his complexities, and my job is to adjust and adapt to him and keep finding ways to get his best. That’s always been a lot harder to do than people think. It turned out to be a lot harder than I thought. But since he’s returned from the Mississippi clinic where he followed a psychologically brutal program of self-examination, it’s gotten harder still.

He’s playing in this Masters after his most rushed, most erratic, and poorest preparation for a major championship ever. Five days before the first round, his game was so ragged it forced me to suggest a limited swing that has cost him distance and shot-making versatility but kept his misses playable.

It’s been a theme of my work with Tiger for much of our time together. Although it’s commonly thought that Tiger plays go-for-broke golf and tries the most difficult shots with no fear, it’s a false image. Tiger is, above all, a calculating golfer who plays percentages and makes sure to err on the safe side. What he abhors, and has built his career on avoiding, are the kinds of mistakes that produce bogeys or worse and kill both momentum and confidence—wild tee shots that produce penalty strokes, loose approaches that leave no chance to save par, blown short putts. These blunders are the stuff of high scores, and after such a round, a tour player or caddie will often lament “the big miss.” Avoiding the big miss was a big part of what made Ben Hogan and Jack Nicklaus so great, and it’s a style that Tiger has emulated. Until recently, his entire life seemed free of the big miss. But things change.

It’s why the game Tiger has brought to Augusta has been less powerful, less versatile, and less likely to shoot a low number than his A game. But it’s fulfilled its purpose by producing consistent scores of 68, 70, and 70 to stay in contention.

Now Tiger knows that he’ll almost certainly need something in the mid-60s to have a chance to win, and I’m getting the sense he’s unhappy that the style of play we’ve prepared is going to lack the kind of firepower such a round usually requires. He’s also aware that he’s never come from behind on a Sunday to win any of his 14 major championships. In his current state, the odds are against his making that breakthrough, and it’s not helping his mood.

I have the feeling that Tiger is most aggravated that he’s spotting three strokes to Mickelson. Tiger has always had a chilly relationship with Phil. Some of it is personality, but most of it is that Mickelson possesses the kind of talent that has made him a legitimate threat to Tiger’s supremacy. Phil’s popularity with the fans and gentle treatment from the media add to Tiger’s annoyance. For years Tiger reveled in the idea that Mickelson had trouble playing in his presence. But Phil adjusted, and in recent years he’s outplayed Tiger down the stretch in several tournaments. His increased confidence against Tiger, along with the positive energy of the gallery, has flipped the psychological advantage in their matchup in his favor. Phil has won two of the last six Masters, both victories coming on the lengthened and narrowed Augusta course that has given Tiger—who won three of his four on the earlier design—trouble. I sense that Tiger has begun to press against Mickelson, making today’s mountain that much higher.

Then again, at this Masters, Tiger has already accomplished a great deal. In the first tournament he’s played in five months—a period in which he’s suffered public humiliation, the painful, regimented program designed to look into a psyche he never before questioned, the ordeal of his televised February 19 public apology, which was so anticipated that it preempted network programming, and the certainty that his wife will soon file for divorce—he’s battled furiously and played amazingly well. He’s made more mistakes than usual but nearly offset them with short bursts of truly spectacular golf. By the end of the tournament, he will have made a total of 17 birdies and a record four eagles in 72 holes, a 25-under-par barrage that will exceed his sub-par holes in 1997 when he won by 12 and set the tournament record on a much shorter golf course. Considering where he was a few weeks ago, I consider having a part in where he is my best job of short-term coaching ever.

In my mind, Tiger is playing with house money. As a person who has lost so much, he should be feeling that this final round presents him with everything to gain. But as I watch him rake another ball out of the pile without looking up, there’s zero indication he sees things that way. He hasn’t been going through our practice progression of the Nine Shots—in which he hits the nine possible ball flights with each club—in a regimented way. Somehow, his devotion to excellence, the quality that most identifies him to the world, is missing.

But what I’ve learned at close quarters is that excellence, year after year, is exhausting. Late at night, I’ve been wondering if the 2010 Masters would mark the moment Tiger didn’t want to be Tiger Woods anymore. It’s not something I’ve said to many people, because it sounds so absurd, but I’ve often thought, even when Tiger’s game was at its peak, that because of insane expectations that even he can’t fulfill, there is no harder person to be in the world than Tiger Woods.

I look over at Steve Williams, standing a few feet away next to Tiger’s bag. He’s carried it for 13 major-championship victories since 1999, which, without even counting his long and very successful stints with Greg Norman and Raymond Floyd, make him the greatest caddie in history. He’s been in my corner from the beginning, in part because he’d been in favor of Tiger leaving his former swing coach Butch Harmon and wanted Butch’s successor to do well. Steve has his hard-ass game face on and hasn’t said a word, but we’re brothers in arms, and when our eyes meet, so do our thoughts.

What is going on? Scandal or no scandal, aren’t these the moments Tiger has always said he worked for? Lived for? The times when his ability to hyperfocus and be mentally bulletproof give him his most important advantage over the competition? The times he’s always said he relishes the most?

But Tiger, tellingly, is not relishing this. His attitude is straight-up horrible. Now, at the moment of truth, it’s a defining signal.

I doubt anyone has a greater appreciation for how great Tiger is than I do. He’s a genius in the most exacting sport there is—physically, technically, mentally, emotionally. Nicklaus might have the greatest overall record, but no one has ever played golf as well as Tiger Woods, and no one has ever been better than his competition by a wider margin. He’s the greatest.

But life is about loss. With the cold part of my mind that keeps any sadness momentarily walled off, I make the call. He’s become less of a golfer, and he’s never going to be the same again.

2

Beginnings

Tiger Woods is sullen the first time I meet him. Maybe even a little rude. But also, without a doubt, fascinating.

It’s May 1993, and Tiger is a 17-year-old amateur who has come to Dallas to play in the PGA Tour’s Byron Nelson Classic on a sponsor’s exemption. He and his father, Earl, are staying in the home of Ernie and Pam Kuehne, whose three kids—Trip, Hank, and Kelly—are all successful junior golfers I teach. Ernie, Hank, and Kelli have brought Tiger and Earl to the Hank Haney Golf Ranch—it’s a former horse farm with converted barns and stables—in the North Dallas suburb of McKinney to show them where they practice and introduce them to the coach who helps them with their games.

I’m giving a lesson when I see the five of them appear from behind one of the barns. I think, Wow, that’s Tiger Woods! Like everyone in golf, I’ve heard a lot about Tiger and am excited to see him in the flesh. More than any junior golfer ever, he’s famous. He’s won his age group at the Optimist Junior World tournament almost every year since he was eight. He’s won the U.S. Junior Amateur twice, and in a few months he’ll make it three in a row. No male player has ever done those things.

I take a break to walk over and say hello. Tiger is gangly from a recent growth spurt, about six feet but weighing less than 150 pounds, and the bagginess of what has to be an XL-size golf shirt only accentuates his lankiness. But skinny as he is, he looks golf strong. His is a body built for clubhead speed.

I tell Tiger what a pleasure it is to meet him, and congratulate him on his accomplishments. He seems sleepy, and when I put out my hand, he takes it weakly. It reminds me of the light grip you get from older touring pros who believe a regular shake might mess up their touch. I notice that Tiger’s hand seems kind of delicate, the fingers long and thin.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Stunning, Sad Insights Into A Legend
By R. Tobias
To say this book was eye opening is to make a big understatement. I have followed Tiger's career from his junior days, and have marveled along with the rest of the world at his accomplishments and at the amazing style in which he accomplishes them. But, as a former collegiate player, and once upon a time low handicapper, there were many things about Tiger's game that greatly puzzled me, as I thought I could see rather obvious flaws in his game that even lesser lights, let alone the Nicklauses , Hogans and Palmers didn't have. The most obvious one, the one that everyone now knows about, is the incredible amount of head movement in his driver swings that has robbed him of any chance for superior performance off the tee. Well, this book explains at least some of the reasons why Tiger has allowed this and other flaws into his game over time. Even more stunning to me was his fixation with becoming a Navy Seal, and how his Seal training has likely been the source of his severe physical problems. Think about it: Tiger is far from the only long hitter to play the game. Weiskopf, Nicklaus, Norman, Bubba, J.B., Dustin Johnson, etc etc. I cannot think of one other long hitter in golf history who has had such severe injuries at such a young age as Tiger, so I am now of the opinion it is more likely his Seal training that has devastated his body, not his powerful golf swing, as we have been led to believe. There are many, many inside facts that Haney has access to due to his long, intimate association w/ Tiger, and even though the book bogs down at times with self-serving prose and some gratuitous, voyeuristic details of Tiger's life, I have a much fuller insight into why Tiger does what he does. Haney spent countless hundreds of hours w/ Tiger, not only coaching him, but simply living at his house, hanging with him and his family. As such, he has a vast experience with Tiger, and has insights that very few can have. Not all will be interested in some of the 'tech talk' about the golf swing, but more accomplished players will appreciate this part of the book. The sad thing is, perhaps, that had Tiger stayed the course, both maritally and in focusing on his golf, he probably would have surpassed Nicklaus long ago for most majors. His talent (and drive for many years) is so prodigious that it is hard to see anyone else among current stars (other than Rory, possibly) coming close to his career accomplishments, but I still feel that in many ways Tiger's life has elements of tragedy (broken marriage, broken body, continued struggles w/ sex addiction.) I wouldn't say this book is must reading even for Wood's biggest fans, but if you want at least part of the picture of why Tiger's life has taken the turns it has, this book is probably the best source that there is.

3 of 3 people found the following review helpful.
I Would Never Have Guessed!!
By R. H. Graham
I'm sure the zillions of Tiger fanatics are horrified by this Book but they are horrified too often anyway. This book was just plain wonderful as far as I am concerned. It was, I believe, an extremely fair tutorial about the eccentricities that collectively are the essence of Tiger Woods. It pretty much explains and makes sense of the man who clearly is the greatest golfer and one of the greatest athlete of my lifetime and helps me understand why he is such a kook and even more importantly why someone as blessed as he is feels justified being such s total jerk.

With the credibility only a select few have earned, Hank Haney adds in some pretty useful stuff on the game of golf which I found to be a nice bonus. Hank never promised this to be a golf improvement book but it really is. Mostly it is a fun book loaded with "aw-ha moments." I certainly feel like I understand the complexity and the greatness of Tiger and to my own amazement I find I like him far more than before reading this little book. Any golfer who has ever followed PGA golf and its strange cast of characters, will love this book. Well done Hank

1 of 1 people found the following review helpful.
The Inscrutable Mister Woods
By jenpnc
I read news stories featuring several of the "juicy tidbits" excerpted from "The Big Miss" before I actually read the book, which was basically like watching a movie trailer that has all the good lines. Except the juicy stuff is not at all what the book is...I feel that the stories that dwelt on the very few "gossipy" items did Hank Haney a huge disservice.

In the end, the book is a fascinating character study of the most famous golfer of all time, who happens to be a man impossible to know, much less understand. But Hank Haney tried. And tried and tried. Because the book is written by a man who has his own strong point of view and belief system, it was fascinating to read about the interaction between the two. There was no student and master ... there was only a certain understanding that Hank would be what Tiger wanted him to be. I felt that the book was as revealing about Haney himself, as much as it was about Tiger.

While the technical golf talk crossed my eyes now and then, I still found the story intriguing. There was a bit of a sense that Hank laid it all out there preemptively, so there would be no questions as to how things happened (from his POV) - but Haney does not strike me at all as a person out for retaliation or revenge.

I came away feeling that Hank Haney truly cares about Tiger Woods as a person - and miraculously, (because I'm not a Tiger fan), he made me care more, too. I came away hoping that Tiger will truly find what he's looking for, both off the course and on.

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Rabu, 22 Desember 2010

[Z763.Ebook] Fee Download 2D Artwork and 3D Modeling for Game Artists (The Premier Press Game Development Software), by David Franson

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2D Artwork and 3D Modeling for Game Artists (The Premier Press Game Development Software), by David  Franson

2D Artwork and 3D Modeling for Game Artists (The Premier Press Game Development Software), by David Franson



2D Artwork and 3D Modeling for Game Artists (The Premier Press Game Development Software), by David  Franson

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2D Artwork and 3D Modeling for Game Artists (The Premier Press Game Development Software), by David  Franson

There are many 2D and 3D books in the market that focus entirely upon the beginning to advanced usage of one particular program. This book encompasses the world of 2D and 3D software and game artwork techniques in one volume. 2D Artwork and 3D Modeling for Game Artists will focus on 3 programs, Photoshop, trueSpace and 3D Studio Max.

  • Sales Rank: #3260940 in Books
  • Published on: 2002-11-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.54" h x 7.39" w x 9.12" l,
  • Binding: Paperback
  • 720 pages

About the Author
David Franson, from Chester, New Jersey, has been a professional in the field of networking, programming, and 2D and 3D computer graphics since 1990. In 2000, he resigned his position as Information Technology Director of one of the largest entertainment law firms in New York City to pursue a full-time career in game development. He is the author of "2D Artwork and 3D Modeling for Game Artists" (Premier Press, 1931841330), as well as the full-page article "How Video Games Are Made", which appeared in 45 newspapers worldwide. David has also produced digital artwork for 3D video games, film, and television.

Most helpful customer reviews

0 of 0 people found the following review helpful.
nice book
By Israel
it is nice this book, it is ok, not the best. Maybe the problem is not in the content, it is in the recycled paper and black and white photos. The author should think about editing elsewhere.

5 of 5 people found the following review helpful.
Not worth your time
By Rae A. Gaedke
The main problem with this book is that the author isn't very good at what he does. He details lovingly how to make the artwork but he simply lacks the talent to create 3D art that's very good. The model he creates, Slogre is in the end, a lumbering snow man like mess of a creature poorly set up for animation.

The author spends a lot of time talking about concept art and why its important only to ditch it in production of the model, ditching all of its charisma to create an ugly mess that looks like it was created by someone completely inexperienced.

Most of the textures he creates end up looking very flat and ugly. The black and white printing causes a lot of his points to be lost. The best examples of this are on pages 225 and 226. He shows a demonstration of poorly tiling textures with noticeable seams. However, due to the cheap printing, the wall is just a solid block of grey making the visual aid wholly useless.

If you're completely new to 3D art, there are far worse places you could start. This book has some decent primers initiating readers with certain aspects of various art programs including Photoshop. There's a lot of information here and it's not all useless.

However, if you are planning on getting into 3D art, I would recommend you start out with Milkshape 3D and Psionic3D tutorials. (Google those. Amazon doesn't allow linking last time I checked.) For texturing, 3D Game Textures by Luke Ahearn is a much better resource than this.

If you have any experience in 3D art though, then you can probably skip this book without a second thought. There is likely nothing you couldn't have figured out on your own. The things that are worthwhile for the experienced here are already available in Internet tutorials.

The only thing that would make this book of any value to an experienced artist is the collection of nearly 500 royalty free photos intended for use in your own textures. To some, these are probably worth the price on their own, but they're photos that would be easy for someone to take on their own. Think twice about buying this book.

6 of 6 people found the following review helpful.
Great book!
By Samantha Campolo
Here, let me give a decent review: I'm a web designer turned game artist, so I've recently been in search of books on modeling, animation, and whatnot. My experience is with Photoshop, GoLive, etc, so texturing comes fairly easy. 2D Artwork/3D Modeling for game artists (despite the long title) enticed me to buy it because it covers so much of what I need to know, and become familiar with for modeling/texturing. There's no animation, which was a bummer, but I saw other books on character animation and they're over 1000 pages, so I suppose the auther couln't fit it all in. The first part of the book introduces the reader to modeling a weapon (which was very cool) in Truespace 6 using what is called boolean and point editing modeling techniques, which I had no idea of and was very quick and easy. Then, the author shows how to model a game character using NURBS, which is modeling with digital clay and VERY cool. The tutorials are stepwise, clear, and concise. Plus, he shows optimizaiton techniques for games, and I never thought these were things I had to do, so that's a plus.
Moving on, the reader is introduced to U_V mapping techniques, and I had always wondered how models were textured, using DeepUV and DeepPaint. 3D Studio Max 5 is used for preparing the models for the torque game engine. I think the downside is the price of the software that the author demonstrates, Max is like [alot of money], and I know Photoshop for texturing is [a little bit of money], but truespace is not bad, under [money] or less for prior versions. DeepUV is pricey at around [money], but these programs are top-of-the-line, but if you're a collage kid you might have to get hacked versions if you can't afford it :) I assume if you work for a game company as an artist you'll need these programs anyway, so it's good to read this book. A large portion of the book is basic texturing techniques as well, and I learned some stuff from it too, things you'd never think to do. I was hoping for some level design stuff in there too, but all in all the author covered a lot of critical material, so 4 stars.

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